In a sense, we want our players to experience a kind of synesthesia: Sound should represent the structure, fabric, and origin of objects in the game’s world, and their applied function should to tell us which way we should go. Sound should also perform not only an artistic function in a project like Atomic Heart, but also a technical one. That’s half the success of any creative idea. The music and sound in Atomic Heart is extremely important, not just because we consider ourselves serious audiophiles, but also because we are of the firm belief that that sound and music account for a half of the whole vibe of the game, half of the impact, and half of the emotions that players experience while playing the game. At Mundfish, we are very particular about sound.
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